This is a classic example of the potential of Photoshop painting - take a simple, ordinary photograph and turn it into something extraordinary! The full painting actually has a good bit of negative space that was never in the original photograph. ![]() It also gives the painter the creative freedom to expand the canvas, change the background, improve the subject, and a myriad of other possibilities. Learning to paint by hand, to control every part of the creative process creates a far superior product than a one-click filter ever possibly could. Now let's take a look at the same photograph, hand-painted utilizing clone painting techniques. It's a mechanical, computerized process that, to date, cannot render anything that could pass for hand-painted brushstrokes to the trained eye (and many times - even the untrained eye realizes that it's nothing more than a computerized knockoff). While some are more impressionistic than others, the end result is typically very similar. ![]() There are a variety of plugin "painting" options for Photoshop (Snap Art and Topaz Impressions to name a couple). (This is really NOT painting - it's a one-click filter - but many people claim that it is painting □♀️). This is what it looks like when you take this beautiful bouquet of flowers and use the Photoshop Oil Filter to "paint" it. This is the straight out of camera photograph (SOOC for short):Īs an aside, these beautiful flowers remind me of my Nanny's garden ❤️ Let's take a look at an example of a hand-painted image. Basically what that means is we use a photograph to skip the drawing stage of the creative process □ We utilize "clone painting" techniques in Photoshop. If you're asking yourself, "How can that be?" it's actually quite simple. You read that right! Every brushstroke is created by hand, but with Z.E.R.O. It does NOT mean that freehand drawing skills are required. While hand painting does mean that every single brushstroke is created by hand. "Hand painting" sounds much scarier than it actually is. I've been told many times that people feel like they have no other choice but to use a painting filter because they do not possess the skill to paint in Photoshop by hand. Visit strikes fear into the hearts of the self-proclaimed "I can't draw stick people" crowd like the words "hand painting". There's a whole artist's studio worth of tools in this package.ĮxpoDisc Custom White Balance - Simply Better Color. But if you really like tinkering with your photographs to see how far you can push the artistic envelope, then you might want to take a look at Snap Art. ![]() So spending $149 for the additional filters in Snap Art seems like overkill. ![]() I seem to be able to create most of the effects I want using the filters that come with Photoshop. You really have a lot to play with here.įor me, the photographer (and not the fine art artist), Snap Art has more tools than I need. Then you can customize the setting of your choice with types of brushes, different paper stocks, saturation controls, and much more. For each effect, you start with a palette of factory settings to choose from. What's different about Snap Art isn't so much the various effects such as colored pencil and watercolor, it's the amount of control over the effect that goes above and beyond the filters that come bundled with Photoshop. Alien Skin has released a new plug-in called Snap Art. But for those who want more - such as oil paint, pencil sketch, pen & ink, comics, etc. Photoshop comes loaded with plenty of filter effects. One of the advantages of digitized photos is that you can easily manipulate them to look like various types of artwork, from watercolor to charcoal to pastel and beyond.
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![]() Explore a rich and diverse world: Beautiful pre-rendered environments laced with an engaging story and characters bring the world to life. ![]()
Since relates to the full resource, it is possible to expect from the user agent (i.e. This means that if you load a URI such as, the resulting resource is a video of duration 40s. The important difference is that queries produce a new resource, while fragments provide a sub-resource. This is relevant in particular to live streaming applications, which would like to provide a URL under which a live video is provided, but also allow the user to jump back in time to previously streamed data.įurther, the W3C Media Fragment Working Group is discussing the use of both URI addressing schemes for time offsets: fragments (“#”) and queries (“?”). If a “smpte” scheme is given, the time code is provided in the way in which DVRs display time codes, namely according to the SMPTE timecode standard.įinally, a “clock” time scheme can be given. It is basically a time offset given in seconds, but can be provided in a few different formats. ![]() ![]() If there is no time scheme given, it defaults to “npt”, which stands for “normal playback time”. Having realised the need for such URLs, the W3C created a Media Fragments working group.įor temporal addressing, it currently proposes the following schemes: The Metavid video in contrast will not display a transport bar for the full video, but instead only present the requested part of the video with an appropriate localised keyframe. The YouTube video will be displayed as always, but the playback position in the video player changes based on the time offset. You may have noticed that the YouTube use of URIs for jumping to offsets is slightly different to the one used by Metavid. While most YouTube content is short form, and such direct access may not make much sense for a video of less than 2 min duration, some YouTube content is long enough to make this a very useful feature. More recently, YouTube rolled out a URI scheme to directly jump to an offset in a YouTube video, e.g. A URL such as work well to directly view that segment. This is now successfully in use at, where it is very useful since Metavid handles very long videos where direct access to subsections is critical. In 2001, in the Annodex project we proposed temporal URIs and implemented the spec for Ogg content. There are some existing example implementations that control a video’s playback time through a URL. Also, the BBC found in experiments with Firefox that “timeupdate” is more accurate than polling the “currentTime” regularly.Ĭontrolling a video’s playback through a URL Note that for subtitles it makes a lot more sense to use the existing “timeupdate” event of the video rather than creating a frequenty setInterval interrupt, since this will continue calling the function until clearInterval() is called or the window is closed. So, in the given example, every 100ms it is tested whether a new subtitle needs to be displayed for the video current playback time. The “setInterval” function is used to call a function or evaluate an expression at the specified intervall. Video.addEventListener("timeupdate", function(), 100) Var video = document.getElementsByTagName("video") įurther, if you want to stop playback at a certain time point, you can use another functionality of the HTML5 tag: the “timeupdate” event: To jump to a time offset in a video, all you have to do in javascript is: ![]() This is very useful to directly jump between different sections in the video, such as exemplified in the BBC’s recent R&D TV demo. ![]() Right now, you can use the video element’s “currentTime” property to read and set the current playback position of a video resource. I will explain the approaches that can be applied on the HTML5 tag for such deep video interaction.Ĭontrolling a video’s playback with javascript Such direct access can be achieved either by providing a javascript interface through which a video’s playback position can be controlled, or by using URLs that directly communicate with the Web server about controlling the playback position. We need direct access to time offsets and sections of videos. _ :_ You can leave out controls to avoid browser default controls, set a class to the video tag, and style the controls and functionality of the controls within the stylesheet.css and script.For many years now I have been progressing a deeper view of video on the Web than just as a binary blob. _ :_ Tip: for cross browser support, if you want auto play set, make sure to mute the video within the tag. The support is excellent for all modern browsers, including Internet Explorer 9 and up □ Browser ![]() Interestingly, the image of the owl with no eyes seemed to spark more curiosity than fear among the would-be predators, triggering them to investigate the image more closely. ![]() Compare prices & save money on Halloween Decor. An even smaller percentage of the birds were startled by the butterfly with no eyespots. (1.54 - 106.94) Find great deals on the latest styles of Fake eyeballs for halloween. But only 33% reacted similarly to the image that sported color-reversed eyespots-a difference that suggests it's not the boldness of the image that's startling the birds, it's the mimicry of eye coloration in a predator the bird is likely familiar with. That's on par with the 57% showing the same reactions to the owl with open eyes, the team notes. About 68% of the birds shown the image with the eye-mimicking spots either flew away or showed signs of being startled such as chirping a warning call, the researchers report today in the Proceedings of the Royal Society B. When the bird swooped down upon its prey, the team flashed one of five images on a computer monitor lying directly beneath the worm: an owl (a tit predator) with open eyes, an owl with its eyes closed, a butterfly with prominent owl-like eyespots on its wings, a butterfly with eyespots whose colors had been reversed, or a butterfly whose eyespots had been digitally removed. Use a clean art brush dipped in red gel food color to draw squiggly lines to create the appearance of a bloodshot eyeball. ![]() Do they startle potential attackers simply because they're conspicuous, or do they mimic the eyes of a creature the songbirds truly fear? In a new study researchers lured great tits ( Parus major) to a particular spot on the floor of their cage with a dead mealworm. Eyelike spots on butterflies and caterpillars scare off songbirds and other predators, yet scientists don't know exactly why they work. What should I feed my axolotl when it first arrives? Even with delays, axolotls that are healthy and well cared for like ours are very robust, and live arrival is expected. How long can my axolotl be okay in the mail?Īxolotls are incredibly hardy animals when it comes to shipping. Please leave the lights off in the aquarium for the first 24 hours to allow the animal to adjust to its new environment after being in a dark box, and ensure the current from the filter isn’t too strong. It is normal for your axolotl to be a bit stressed after shipping, but this is temporary and the axolotl usually starts poking around to explore its new environment within a short period of time. The bag can then be opened and the axolotl removed with a net from the bag water and transferred to the tank. We recommend floating the unopened bag in your aquarium for 20 minutes if there is a significant temperature difference. Please see our policies page for further details on our guarantee policy. Our guarantee does not extend past delivery as we cannot control the environment of your aquarium. Yes, we have a 100% live arrival guarantee on all of our axolotls. Please note we cannot ship to the following states: CA, NJ, ME, DC, HI or NM in order to comply with legal regulations. We have shipped thousands of axolotls across the country to all legal states! Learn more about our shipping process here. We take every measure to ensure your animal arrives alive and healthy and offer live arrival guarantee. Better yet, subscribe to our email list for Axie Alerts to be notified when we’ve added new lotls to the shop. Our selection is always changing, so check back to see when new products have been added. We also frequently offer juvenile and baby axolotls that are large enough to go to new loving homes. We offer a variety of morphs and sizes of ambystoma mexicana for sale, including leucistic, mel, albino and golden varieties, with seasonal availability. ![]() We strive to bring you the most beautiful, well bred, healthy & adorable axolotls you can find. ![]() Welcome to Fantaxies, based in the heart of Colorado! Thanks for visiting our shop. ![]() ![]() ![]() She is the author of six books that help the writer learn her trademarked writing system, including editions for college, high school, and middle school. Professor Horowitz has created a revolutionary system that yields a new, more effective way of writing. In 2004 she received the coveted New York University Award for Teaching Excellence. She is also a judge for the Fulbright Scholarship Program for film and media students. Since 1998 she has taught thousands of aspiring screenwriters to complete a feature length screenplay using her method. She has a passion for helping novices get started. Marilyn Horowitz is an award-winning New York University professor, author, producer, and Manhattan-based writing consultant, who works with successful novelists, produced screenwriters, and award-winning filmmakers. Using the questions will help you do that. Audiences don't want to see films that are like everyday life but rather, larger than life. However, we must overcome this, because our job as writers is to look for conflict and to amplify it. Why do we so often dilute the tension or suspense that writing real conflict generates? Simple - we're trained to avoid conflict in real life, so we naturally try to minimize the conflicts in our scripts. As they eat dinner in a restaurant, each seemingly mundane event (sitting down, ordering, being served) is loaded, because it all leads up to the climax. For example, in The Godfather, Michael wants to murder the Turk, who wants to make a drug deal. Question: But how do I make the right decision as to what to rewrite or cut?Īnswer: By identifying the conflict in the scene, and determining what each character wants. What the writer should have done was start the scene after the waitperson left, and stayed with the characters until the conflict was resolved. When the waitperson finally leaves, the writer summarizes the conflict of the scene in a line or two. I often read drafts which include a two-page scene of the characters dining at a restaurant. Now ask yourself if you have dramatized the moments where there is the most conflict? Did you stay in the scene with the characters until they resolved it, or cut away to a new scene just as the previous one got juicy? If you look at each scene as a sequence, it will give you the overview you need for correct assessment. While there are many elements involved with this process, having the right place to start saves much confusion and time.Īn effective way to begin is to imagine that every scene has a moment before it began and a moment after and each one of these is a separate scene, and so each of your scenes becomes part of a larger whole, called a sequence. Every week we workshop each student's pages and I give a talk about an aspect of rewriting. Many take the class several times to support and speed their rewriting progress. In my private class, students write a screenplay, revise the draft and complete their script in 9-week cycles. Here's how it works: As you read through your draft, at the beginning of each scene, ask yourself, have I dramatized and summarized the right parts of the story? While the concepts of summarizing and dramatizing are not new, their application will help you get a handle on the work that needs to be done in a fresh and fun way. Finding the right question to ask, one that allows you to evaluate each part of your screenplay, is the key. ![]() To be clear, I’m not advocating for replacing the “Summarize this Topic” button this suggestion is for an additional feature, not a replacement.We often need a single organizing principle to act as a compass as we navigate through our own work and pinpoint what needs rewriting. The existing “summarize this topic” button is helpful in those situations to some degree, but it still requires a lot of reading and can’t sum things up nearly as well as a human might be able to. Any sort of long-running discussion where it’s difficult for a new participant to understand the discussion without reading everything.Long discussions on feature proposals: document community consensus, and the current point the discussion is at.Product support questions: add answer / progress in finding answer.That got me thinking though: what if Discourse allowed users to create community-editable summaries of long, popular threads? This would be useful in all sorts of situations, such as: I was pleasantly surprised to discover that the button instead allowed me to view a condensed version of the discussion with some posts hidden. I initially thought that this button would allow me to write a summary of the topic which others could read. Recently while reading a long topic on Discourse with many posts, I came across the “Summarize this Topic” button. This means that the resources in the CPU are prioritized depending on the value of shares. CPU management is delegated to the system scheduler, and it uses two different mechanisms for the requests and the limits enforcement.ĬPU requests are managed using the shares system. A container using more memory than the limit will most likely die, but using CPU can never be the reason of Kubernetes killing a container. There are many differences on how CPU and memory requests and limits are treated in Kubernetes. In day-to-day operation, this means that in case of overcommitting resources, pods without limits will likely be killed, containers using more resources than requested have some chances to die and guaranteed containers will most likely be fine. This scenario should be avoided as it will probably require a complicated troubleshooting, ending with an RCA based on hypothesis and a node restart. If the system memory fills too quickly, the system can kill Kubernetes control processes, making the node unstable. The pod can be restarted depending on the policy, so that doesn’t mean the pod will be removed entirely.ĭespite this mechanism, we can still finish up with system OOM kills as Kubernetes memory management runs only every several seconds. With these parameters, a blender and some maths, Kubernetes elaborates a score. Memory used by the different containers.Many parameters enter the equation at the same time: Memory management in Kubernetes is complex, as it has many facets. This usually causes the death of some pods in order to free some memory. In practice, if all containers use more memory than requested, it can exhaust the memory in the node. This is called overcommit and it is very common. But limits can be higher than requests, so the sum of all limits can be higher than node capacity. Kubernetes will not allocate pods that sum to more memory requested than memory available in a node. Memory requested is granted to the containers so they can always use that memory, right? Well, it’s complicated. the limit of that container.įind these metrics in Sysdig Monitor in the dashboard: Hosts & containers → Container limits Kubernetes OOM kill due to limit overcommit In Kubernetes, limits are applied to containers, not pods, so monitor the memory usage of a container vs. Percentage of the node memory used by a pod is usually a bad indicator as it gives no indication on how close to the limit the memory usage is. In order to monitor this, you always have to look at the use of memory compared to the limit. The Exit code 137 is important because it means that the system terminated the container as it tried to use more memory than its limit. Normal Killing 2m56s kubelet, gke-lab-kube-gke-default-pool-02126501-7nqc Killing container with id docker://db:Need to kill Pod Normal SandboxChanged 2m57s kubelet, gke-lab-kube-gke-default-pool-02126501-7nqc Pod sandbox changed, it will be killed and re-created. Normal Scheduled 6m39s default-scheduler Successfully assigned test/frontend to gke-lab-kube-gke-default-pool-02126501-7nqc This usually ends up with a container dying, one pod unhealthy and Kubernetes restarting that pod.ĭescribe pods output would show something like this: You set a memory limit, one container tries to allocate more memory than that allowed,and it gets an error. This is by far the most simple memory error you can have in a pod. This frees memory to relieve the memory pressure. These pods are scheduled in a different node if they are managed by a ReplicaSet. When the node is low on memory, Kubernetes eviction policy enters the game and stops pods as failed. Kubernetes OOM management tries to avoid the system running behind trigger its own. When any Unix based system runs out of memory, OOM safeguard kicks in and kills certain processes based on obscure rules only accessible to level 12 dark sysadmins ( chaotic neutral). In this article, we will try to help you detect the most common issues related to the usage of resources. Many issues can arise, possibly due to an incorrect configuration of Kubernetes limits and requests. Managing Kubernetes pod resources can be a challenge. Why is my application struggling if I have plenty of CPU in the node? Security and visibility for cloud applicationsĮxperience Kubernetes OOM kills can be very frustrating. ![]() The XQuartz appplication must be installed before installing Wine. Note: Please note, that applications XQuartz and Wine for Apple Mac are not developed nor supported by Embird team. How do I get Inkscape to work on my Mac?.Why is my Mac not letting me open applications?.How do I use Inkscape on my macbook air?.How do I force an application to open on a Mac?.How do I get permission to open applications on Mac? These instructions are only needed if you are running graphical applications from the CS lab machines that you need displayed on your laptop.If you are not using graphical applications, follow the instructions on the remote access/using ssh help page. ![]()
If you would like to help with the development of the game, please share your feedback and ideas with us on discord or steam forums. “Our players are very important to us, and we want to listen to your feedback and ideas as we add features to the game. How are you planning on involving the Community in your development process? “Keeping the game accessible by all is very important to us!īut we might increase the price a bit to allow us to continue the game’s development but not too drastically.” Will the game be priced differently during and after Early Access? “It's a basic version of the complete game, you can play with up to 11 players.Īs a prisoner you will be able to loot items, craft, and do actions to escape like digging, planting a bomb, cutting a fence.Īs a guard you will be able to search players, arrest wanted players, and investigate other players.” ![]() What is the current state of the Early Access version?
![]() NVIDIA Performance Primitives (NPP) libraryĬUDA Toolkit for RedHat Enterprise Linux 5.3ĬUDA Toolkit for RedHat Enterprise Linux 4. Support for the latest OpenCL spec revision 1.0.48 and latest official Khronos OpenCL headers as of.Byte Addressable Stores, for faster video/image processing and compression algorithms.32-bit global and local atomics for fast, convenient data manipulation. ![]() ![]() OpenCL Images support, for better/faster image filtering.Ability to control compiler optimization settings via support for pragma unroll in OpenCL kernels and an extension that allows programmers to set compiler flags.Query for Compute Capability, so you can target optimizations for GPU architectures (cl_nv_device_attribute_query).Graphics Interoperability with OpenCL, Direc3D9, Direct3D10, and Direct3D11 for high performance visualization.Support for all the OpenCL features in the latest R195 production driver package:.On Linux, use cuda-gdb and cuda-memcheck, and check out the solutions from Allinea and TotalView that will be available soon.On Windows, use the new Parallel Nsight development environment for Visual Studio, with integrated GPU debugging and profiling tools (was code-named 'Nexus').In the window that pops up, click on More Info. Right-click on the image file and click on Get Info. Now that more sophisticated hardware debugging tools are available and more are on the way, NVIDIA will be focusing on supporting these tools instead of the legacy device emulation functionality. On your Mac To find the dimensions of an image you have stored on a Mac (running macOS Mojave), follow these steps: Open the Finder application and locate your image. Support for device emulation mode has been packaged in a separate version of the CUDA C Runtime (CUDART), and is deprecated in this release.CUDA C/C++ kernels are now compiled to standard ELF format.CUDA Toolkit libraries are now versioned, enabling applications to require a specific version, support multiple versions explicitly, etc.New CUDA Memory Checker reports misalignment and out of bounds errors, available as a stand-alone utility and debugging mode within cuda-gdb.cuda-gdb support for JIT-compiled kernels.cuda-gdb hardware debugging support for applications that use the CUDA Driver API.Up to 100x performance improvement while debugging applications with cuda-gdb.CUBLAS now supports all BLAS1, 2, and 3 routines including those for single and double precision complex numbers.CUDA Driver / Runtime Buffer Interoperability, which allows applications using the CUDA Driver API to also use libraries implemented using the CUDA C Runtime such as CUFFT and CUBLAS.A new unified interoperability API for Direct3D and OpenGL, with support for:.C++ Class Inheritance and Template Inheritance support for increased programmer productivity.Fermi HW profiling support for CUDA C and OpenCL in Visual Profiler.Innovative grouping features allow for easy structuring of larger projects. Non-destructive Boolean operations: Create detailed, editable vector graphics by combining simple shapes. Support for the new Fermi architecture, with: Combine vector and bitmap graphics for stunning effects such as glossy surfaces, depth-of-field, and bokeh effects. |
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